Some even preserve fragile paintings from the Middle Ages, like this one photographed by Roger Rosewell, author of Medieval Wall Paintings in English and Welsh Churches. This is a thorough and richly illustrated guide to an art form many travelers know little about. He takes us through the history of these paintings and their sometimes obscure meanings, and delves into how they were seen by their contemporaries.
The above illustration shows the “Harrowing of Hell” and was painted in the late 15th century at the church of St. Peter and St. Paul in Pickering, Yorkshire. It’s a scene from The Gospel of Nicodemus, when between Christ’s burial and the third day, God undid Christ’s death and Christ released Adam, Eve, and other righteous souls from Hell. If you haven’t heard of this gospel, it’s because it’s one of the many books that didn’t make it into the final standard version of the Bible we know today. Scenes from this book and many other so-called Apocryphal texts were well-known to medieval Christians, though.
Other subjects include the Virgin Mary, the lives of saints, the Doom or final judgement, and the Warning to Blasphemers–a grisly scene in which those who have taken the Lord’s name in vain are shown tearing apart his body.